225–240 di 1185 risultati

The crucible: a play in four acts

SUMMARY: “I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history,” Arthur Miller wrote in an introduction to The Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller’s drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town’s most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy’s witch-hunts in the United States. Within the text itself, Miller contemplates the parallels, writing: “Political opposition … is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it meets with diabolical malevolence.”

SUMMARY: “I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history,” Arthur Miller wrote in an introduction to The Crucible, his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller’s drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town’s most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy’s witch-hunts in the United States. Within the text itself, Miller contemplates the parallels, writing: “Political opposition … is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it meets with diabolical malevolence.”

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The Crimson Petal and the White

Amazon.com Review

Although it’s billed as “the first great 19th-century novel of the 21st century,” The Crimson Petal and the White is anything but Victorian. The story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men, Michel Faber’s dazzling second novel dares to go where George Eliot’s __ and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favor, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself. When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped, and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar’s life (and the even harder “honest” life she would have led as a factory worker) contrast–yet not entirely–with the medical mistreatment of her benefactor’s wife, Agnes, and beautifully underscore Faber’s emphasis on class and sexual politics. In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber’s own–brisk and elastic–and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, “she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board.” Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. –Regina Marler

From Publishers Weekly

Faber’s bawdy, brilliant third novel tells an intricate tale of love and ambition and paints a new portrait of Victorian England and its citizens in prose crackling with insight and bravado. Using the wealthy Rackham clan as a focal point for his sprawling, gorgeous epic, Faber, like Dickens or Hardy, explores an era’s secrets and social hypocrisy. William Rackham is a restless, rebellious spirit, mistrustful of convention and the demands of his father’s perfume business. While spying on his sickly wife’s maid, whom he suspects of thievery, he begins a slow slide into depravity: he meets Sugar, a whore whose penetrating mind and love of books intrigues him as much as her beauty and carnal skills do. Faber (Under the Skin) also weaves in the stories of Agnes, William’s delicate, mad and manipulative wife, and Henry, his pious, morally conflicted brother, both of whom seek escape from their private prisons through fantasies and small deceptions. Sin and vice both attract and repel the brothers: William, who becomes obsessed with Sugar, rescues her from her old life, while Henry, paralyzed by his love for Emmeline Fox, a comely widow working to rescue the city’s prostitutes, slowly unravels. Faber’s central characters, especially the troubled William and the ambitious Sugar, shine with life, and the author is no less gifted in capturing the essence of his many minor characters-the evil madam, Mrs. Castaway, and William’s pompous father-in-law, Lord Unwin. The superb plot draws on a wealth of research and briskly moves through the lives of each character-whether major or minor, upstairs or downstairs-gathering force until the fates of all are revealed. A marvelous story of erotic love, sin, familial conflicts and class prejudice, this is a deeply entertaining masterwork that will hold readers captive until the final page.
Copyright 2002 Reed Business Information, Inc.

Amazon.com Review

Although it’s billed as “the first great 19th-century novel of the 21st century,” The Crimson Petal and the White is anything but Victorian. The story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men, Michel Faber’s dazzling second novel dares to go where George Eliot’s __ and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favor, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself. When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped, and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar’s life (and the even harder “honest” life she would have led as a factory worker) contrast–yet not entirely–with the medical mistreatment of her benefactor’s wife, Agnes, and beautifully underscore Faber’s emphasis on class and sexual politics. In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber’s own–brisk and elastic–and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, “she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board.” Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. –Regina Marler

From Publishers Weekly

Faber’s bawdy, brilliant third novel tells an intricate tale of love and ambition and paints a new portrait of Victorian England and its citizens in prose crackling with insight and bravado. Using the wealthy Rackham clan as a focal point for his sprawling, gorgeous epic, Faber, like Dickens or Hardy, explores an era’s secrets and social hypocrisy. William Rackham is a restless, rebellious spirit, mistrustful of convention and the demands of his father’s perfume business. While spying on his sickly wife’s maid, whom he suspects of thievery, he begins a slow slide into depravity: he meets Sugar, a whore whose penetrating mind and love of books intrigues him as much as her beauty and carnal skills do. Faber (Under the Skin) also weaves in the stories of Agnes, William’s delicate, mad and manipulative wife, and Henry, his pious, morally conflicted brother, both of whom seek escape from their private prisons through fantasies and small deceptions. Sin and vice both attract and repel the brothers: William, who becomes obsessed with Sugar, rescues her from her old life, while Henry, paralyzed by his love for Emmeline Fox, a comely widow working to rescue the city’s prostitutes, slowly unravels. Faber’s central characters, especially the troubled William and the ambitious Sugar, shine with life, and the author is no less gifted in capturing the essence of his many minor characters-the evil madam, Mrs. Castaway, and William’s pompous father-in-law, Lord Unwin. The superb plot draws on a wealth of research and briskly moves through the lives of each character-whether major or minor, upstairs or downstairs-gathering force until the fates of all are revealed. A marvelous story of erotic love, sin, familial conflicts and class prejudice, this is a deeply entertaining masterwork that will hold readers captive until the final page.
Copyright 2002 Reed Business Information, Inc.

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The Angel Whispered Danger

SUMMARY: When Kate McBride returns to her hometown of Bishop’s Bridge, North Carolina, for a family reunion, she expects questions about her husband’s conspicuous absence. What she doesn’t expect is murder. Soon after arriving, Kate finds her great uncle’s housekeeper, Ella Stegall, badly injured and incoherent, at the bottom of a wooded ravine after an apparent fall from a ledge. But moments before losing consciousness, Ella whispers she was pushed–not surprising, considering that Bramblewood, Uncle Ernest’s woodsy estate, is no stranger to murder and intrigue. Could Ella’s accident be connected to Bramblewood’s mysterious past, or was her claim just the rambling of a delirious old woman? Poor Ella slips away before leaving more clues to her death. Now Kate must come to terms with disturbing doubts about close family members while coping with her troubled young daughter. Luckily for Kate, guardian angel Augusta Goodnight has dropped by to help, this time with a bumbling young apprentice in tow. With fresh baked goods and sound, heavenly advice, Augusta helps Kate investigate Ella’s untimely demise–and a few other unsolved mysteries along the way.

SUMMARY: When Kate McBride returns to her hometown of Bishop’s Bridge, North Carolina, for a family reunion, she expects questions about her husband’s conspicuous absence. What she doesn’t expect is murder. Soon after arriving, Kate finds her great uncle’s housekeeper, Ella Stegall, badly injured and incoherent, at the bottom of a wooded ravine after an apparent fall from a ledge. But moments before losing consciousness, Ella whispers she was pushed–not surprising, considering that Bramblewood, Uncle Ernest’s woodsy estate, is no stranger to murder and intrigue. Could Ella’s accident be connected to Bramblewood’s mysterious past, or was her claim just the rambling of a delirious old woman? Poor Ella slips away before leaving more clues to her death. Now Kate must come to terms with disturbing doubts about close family members while coping with her troubled young daughter. Luckily for Kate, guardian angel Augusta Goodnight has dropped by to help, this time with a bumbling young apprentice in tow. With fresh baked goods and sound, heavenly advice, Augusta helps Kate investigate Ella’s untimely demise–and a few other unsolved mysteries along the way.

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The Symposium

Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Plato’s retelling of the discourses between Socrates and his friends on such subjects as love and desire, truth and illusion, spiritual transcendence and the qualities of a good ruler, profoundly affected the ways in which we view human relationships, society and leadership – and shaped the whole tradition of Western philosophy.

Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Plato’s retelling of the discourses between Socrates and his friends on such subjects as love and desire, truth and illusion, spiritual transcendence and the qualities of a good ruler, profoundly affected the ways in which we view human relationships, society and leadership – and shaped the whole tradition of Western philosophy.

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Sons and Lovers

SUMMARY: Sons and Lovers, by D. H. Lawrence, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today’s top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader’s viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader’s understanding of these enduring works. Called the most widely-read English novel of the twentieth century, D. H. Lawrence’s largely autobiographical Sons and Lovers tells the story of Paul Morel, a young artist growing into manhood in a British working-class community near the Nottingham coalfields. His mother Gertrude, unhappily married to Paul’s hard-drinking father, devotes all her energies to her son. They develop a powerful and passionate relationship, but eventually tensions arise when Paul falls in love with a girl and seeks to escape his family ties. Torn between his desire for independence and his abiding attachment to his loving but overbearing mother, Paul struggles to define himself sexually and emotionally through his relationships with two women—the innocent, old-fashioned Miriam Leivers, and the experienced, provocatively modern Clara Dawes. Heralding Lawrence’s mature period, Sons and Lovers vividly evokes the all-consuming nature of possessive love and sexual attraction. Lushly descriptive and deeply emotional, it is rich in universal truths about human relationships. Victoria Blake is a freelance writer. She has worked at The Paris Review and contributed to the Boulder Daily Camera, small literary presses in the United States, and English-language publications in Bangkok, Thailand. She currently lives and works in San Diego, California.

SUMMARY: Sons and Lovers, by D. H. Lawrence, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today’s top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader’s viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader’s understanding of these enduring works. Called the most widely-read English novel of the twentieth century, D. H. Lawrence’s largely autobiographical Sons and Lovers tells the story of Paul Morel, a young artist growing into manhood in a British working-class community near the Nottingham coalfields. His mother Gertrude, unhappily married to Paul’s hard-drinking father, devotes all her energies to her son. They develop a powerful and passionate relationship, but eventually tensions arise when Paul falls in love with a girl and seeks to escape his family ties. Torn between his desire for independence and his abiding attachment to his loving but overbearing mother, Paul struggles to define himself sexually and emotionally through his relationships with two women—the innocent, old-fashioned Miriam Leivers, and the experienced, provocatively modern Clara Dawes. Heralding Lawrence’s mature period, Sons and Lovers vividly evokes the all-consuming nature of possessive love and sexual attraction. Lushly descriptive and deeply emotional, it is rich in universal truths about human relationships. Victoria Blake is a freelance writer. She has worked at The Paris Review and contributed to the Boulder Daily Camera, small literary presses in the United States, and English-language publications in Bangkok, Thailand. She currently lives and works in San Diego, California.

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Something From the Nightside

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‘Something from the Nightside’ is the first book in Green’s Nightside sequence, a hard-boiled mystery that chronicles the life of John Taylor, a down-and-out private detective with supernatural abilities who specializes in finding lost things in Nightside. The realm of Nightside is ‘the secret, hidden, dark heart’ of London, a subterranean world where time and reality have no meaning, a place where it’s always three o’clock in the morning and something dangerous is most definitely lurking right around the corner. When a desperate blonde comes to John searching for her runaway daughter, he takes the case, although it means returning to his place of birth, Nightside. John has been living in ‘the real world’ for five years, and returning to Nightside means being reacquainted with old friends like Razor Eddie, Punk God of the Straight Razor, and Shotgun Suzie, a leather-clad bounty hunter. But the first rule in Nightside is never trust anyone.

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‘Something from the Nightside’ is the first book in Green’s Nightside sequence, a hard-boiled mystery that chronicles the life of John Taylor, a down-and-out private detective with supernatural abilities who specializes in finding lost things in Nightside. The realm of Nightside is ‘the secret, hidden, dark heart’ of London, a subterranean world where time and reality have no meaning, a place where it’s always three o’clock in the morning and something dangerous is most definitely lurking right around the corner. When a desperate blonde comes to John searching for her runaway daughter, he takes the case, although it means returning to his place of birth, Nightside. John has been living in ‘the real world’ for five years, and returning to Nightside means being reacquainted with old friends like Razor Eddie, Punk God of the Straight Razor, and Shotgun Suzie, a leather-clad bounty hunter. But the first rule in Nightside is never trust anyone.

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The Risen Empire

The undead Emperor has ruled the Eighty Worlds for sixteen hundred years. His is the power to grant immortality to those he deems worthy, creating an elite class known as the Risen. Along with his sister, the eternally young Child Empress, his power within the empire has been absolute. Until now. The empire’s great enemies, the Rix, hold the Child Empress hostage. Charged with her rescue is Captain Laurent Zai. But when Imperial politics are involved the stakes are unimaginably high, and Zai may yet find the Rix the least of his problems. On the homeworld, Zai’s lover, Senator Nara Oxham, newly appointed to the Emperor’s War Council, must prosecute the war with the Rix while holding the inhuman impulses of the Risen councillors in check. If she fails at either task, millions will die. And at the centre of everything is the Emperor’s great lie: a revelation so shattering that he is willing to sanction the death of entire worlds to keep it secret …
**Recensie(s)**

Ingenious enough to call to mind Iain M. Banks * SFX * …this is SF as it should be: savvy, space-smart and fascinating, filled with dazzling concepts and a genuine sense of wonder. THE AUSTRALIAN * Scott Westerfeld sets a stage half the size of the universe, yet tells a very intimate and personal tale. His scope ranges from the politics of a galactic empire to the essence of what it means to be human. One of the best space operas I have read in a *
(source: Bol.com)

The undead Emperor has ruled the Eighty Worlds for sixteen hundred years. His is the power to grant immortality to those he deems worthy, creating an elite class known as the Risen. Along with his sister, the eternally young Child Empress, his power within the empire has been absolute. Until now. The empire’s great enemies, the Rix, hold the Child Empress hostage. Charged with her rescue is Captain Laurent Zai. But when Imperial politics are involved the stakes are unimaginably high, and Zai may yet find the Rix the least of his problems. On the homeworld, Zai’s lover, Senator Nara Oxham, newly appointed to the Emperor’s War Council, must prosecute the war with the Rix while holding the inhuman impulses of the Risen councillors in check. If she fails at either task, millions will die. And at the centre of everything is the Emperor’s great lie: a revelation so shattering that he is willing to sanction the death of entire worlds to keep it secret …
**Recensie(s)**

Ingenious enough to call to mind Iain M. Banks * SFX * …this is SF as it should be: savvy, space-smart and fascinating, filled with dazzling concepts and a genuine sense of wonder. THE AUSTRALIAN * Scott Westerfeld sets a stage half the size of the universe, yet tells a very intimate and personal tale. His scope ranges from the politics of a galactic empire to the essence of what it means to be human. One of the best space operas I have read in a *
(source: Bol.com)

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Patrick’s Destiny

CAN LOVE CONQUER ALL?
Devastated by the discovery of a terrible family secret, Patrick Devaney put a No Trespassing sign on his battered heart and shut out the world. Then Alice Newberry, who had her own wounds to heal, burst into his life and coaxed him out of hiding with her red-hot kisses.
Alice’s soft brown eyes saw right through Patrick’s defenses to the sorrow he’d tried to bury. The enchanting kindergarten teacher taught him a powerful lesson about love and forgiveness, and encouraged him to hope again. But before he could truly claim Alice as his own, Patrick had to face the greatest challenge of his life — his past.
THE DEVANEYS: Five brothers torn apart in childhood, reunited by love.

CAN LOVE CONQUER ALL?
Devastated by the discovery of a terrible family secret, Patrick Devaney put a No Trespassing sign on his battered heart and shut out the world. Then Alice Newberry, who had her own wounds to heal, burst into his life and coaxed him out of hiding with her red-hot kisses.
Alice’s soft brown eyes saw right through Patrick’s defenses to the sorrow he’d tried to bury. The enchanting kindergarten teacher taught him a powerful lesson about love and forgiveness, and encouraged him to hope again. But before he could truly claim Alice as his own, Patrick had to face the greatest challenge of his life — his past.
THE DEVANEYS: Five brothers torn apart in childhood, reunited by love.

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Past Malice: An Emma Fielding Mystery

SUMMARY: What bones are buried in the shadows of the past? Asked to join in a dig at the site of the eighteenth–century Chandler House, archaeologist Emma Fielding and her student crew have descended upon Stone Harbor, Massachusetts. But certain residents of the tiny coastal community are none too happy about Emma’s arrival — especially when her excavation uncovers a pair of freshly slain corpses. There are dark forces at play in this dangerously divided town, where a distrust of strangers wars with a desire for tourist dollars. And when a young local’s life is snuffed out, Emma is determined to get to the twisted roots of the strange secrets buried in this killing ground. But a mystery that lies among the tumbled ruins of a once grand manor could change Stone Harbor forever. And for some murderous someone, one more death — Emma’s — would be a small price to pay to keep it hidden.

SUMMARY: What bones are buried in the shadows of the past? Asked to join in a dig at the site of the eighteenth–century Chandler House, archaeologist Emma Fielding and her student crew have descended upon Stone Harbor, Massachusetts. But certain residents of the tiny coastal community are none too happy about Emma’s arrival — especially when her excavation uncovers a pair of freshly slain corpses. There are dark forces at play in this dangerously divided town, where a distrust of strangers wars with a desire for tourist dollars. And when a young local’s life is snuffed out, Emma is determined to get to the twisted roots of the strange secrets buried in this killing ground. But a mystery that lies among the tumbled ruins of a once grand manor could change Stone Harbor forever. And for some murderous someone, one more death — Emma’s — would be a small price to pay to keep it hidden.

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Our Friends from Frolix 8

SUMMARY: For all the strange worlds borne of his vast and vivid imagination, Philip K. Dick was largely concerned with humanity’s most achingly familiar heartaches and struggles. In Our Friends From Frolix 8, he clashes private dreams against public battles in a fast-paced and provocative tale that ultimately addresses our salvation both as individuals and a whole.Nick Appleton is a menial laborer whose life is a series of endless frustrations. Willis Gram is the despotic oligarch of a planet ruled by big-brained elites. When they both fall in love with Charlotte Boyer, a feisty black marketer of revolutionary propaganda, Nick seems destined for doom. But everything takes a decidedly unpredictable turn when the revolution’s leader, Thors Provoni, returns from ten years of intergalactic hiding with a ninety-ton protoplasmic slime that is bent on creating a new world order. Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.

SUMMARY: For all the strange worlds borne of his vast and vivid imagination, Philip K. Dick was largely concerned with humanity’s most achingly familiar heartaches and struggles. In Our Friends From Frolix 8, he clashes private dreams against public battles in a fast-paced and provocative tale that ultimately addresses our salvation both as individuals and a whole.Nick Appleton is a menial laborer whose life is a series of endless frustrations. Willis Gram is the despotic oligarch of a planet ruled by big-brained elites. When they both fall in love with Charlotte Boyer, a feisty black marketer of revolutionary propaganda, Nick seems destined for doom. But everything takes a decidedly unpredictable turn when the revolution’s leader, Thors Provoni, returns from ten years of intergalactic hiding with a ninety-ton protoplasmic slime that is bent on creating a new world order. Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.

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One Grave Too Many

SUMMARY: With spot-on details, a smart new voice, and ingenious plot twists, Beverly Connor has been compared to the hottest crime writers on the scene. Now, she ratchets up the suspense with a brand new series featuring one of today’s most cunning and complex sleuths: forensic anthropologist Diane Fallon. Her new job as director of the RiverTrail Museum of Natural History in Georgia takes Diane out of the game-until a former love and a murdered family bring her back in.

SUMMARY: With spot-on details, a smart new voice, and ingenious plot twists, Beverly Connor has been compared to the hottest crime writers on the scene. Now, she ratchets up the suspense with a brand new series featuring one of today’s most cunning and complex sleuths: forensic anthropologist Diane Fallon. Her new job as director of the RiverTrail Museum of Natural History in Georgia takes Diane out of the game-until a former love and a murdered family bring her back in.

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One Door From Heaven

EDITORIAL REVIEW: Hailed as “America’s most popular suspense novelist” (*Rolling Stone*) Dean Koontz has entered a rich new phase of his writing career that is yielding his most imaginative, meaningful, and popular work yet.At the height of his powers as a literary craftsman, he has won the acclaim of critics as well as the allegiance of millions of fans the world over, transforming the greatest fears and hopes of our time into masterworks of dazzling originality and emotional resonance.Now, with the stunning depth and virtuosity of his storytelling, he brings to readers one of his most gripping and richly imagined novels to date—an intoxicating story of adventure and suspense, mystery and revelation, told with humor, heart, and high art. **One Door Away From Heaven**In a dusty trailer park on the far edge of the California dream, Michelina Bellsong contemplates the choices she has made. At twenty-eight, she wants to change the direction of her troubled life but can’t find her way—until a new family settles into the rental trailer next door and she meets the young girl who will lead her on a remarkable quest that will change Micky herself and everything she knows—or thinks she knows—forever. Despite the brace she must wear on her deformed left leg, and her withered left hand, nine-year-old Leilani Klonk radiates a buoyant and indomitable spirit that inspires Micky. Beneath Leilani’s effervescence, however, Micky comes to sense a quiet desperation that the girl dares not express.Leilani’s mother is little more than a child herself. And the girl’s stepfather, Preston Maddoc, is educated but threatening. He has moved the family from place to place as he fanatically investigates UFO sightings, striving to make contact, claiming to have had a vision that by Leilani’s tenth birthday aliens will either heal her or take her away to a better life on their world.Slowly, ever more troubling details emerge in Leilani’s conversations with Micky. Most chilling is Micky’s discovery that Leilani had an older brother, also disabled, who vanished after Maddoc took him into the woods one night and is now “gone to the stars.”Leilani’s tenth birthday is approaching. Micky is convinced the girl will be dead by that day. While the child-protection bureaucracy gives Micky the runaround, the Maddoc family slips away into the night. Micky sets out across America to track and find them, alone and afraid but for the first time living for something bigger than herself.She finds herself pitted against an adversary, Preston Maddoc, as fearsome as he is cunning. The passion and disregard for danger with which Micky pursues her quest bring to her side a burned-out detective who joins her on a journey of incredible peril and startling discoveries, a journey through terrible darkness to unexpected light. **One Door Away From Heaven** is an incandescent mix of suspense and humor, fear and wonder, a story of redemption and timeless wisdom that will have readers cheering. Filled with tragedy and joy, with terror and hope, it solidifies Dean Koontz’s reputation as one of the foremost storytellers of our time. This is Dean Koontz at his very best—and it doesn’t get any better than that.*From the Hardcover edition.*

EDITORIAL REVIEW: Hailed as “America’s most popular suspense novelist” (*Rolling Stone*) Dean Koontz has entered a rich new phase of his writing career that is yielding his most imaginative, meaningful, and popular work yet.At the height of his powers as a literary craftsman, he has won the acclaim of critics as well as the allegiance of millions of fans the world over, transforming the greatest fears and hopes of our time into masterworks of dazzling originality and emotional resonance.Now, with the stunning depth and virtuosity of his storytelling, he brings to readers one of his most gripping and richly imagined novels to date—an intoxicating story of adventure and suspense, mystery and revelation, told with humor, heart, and high art. **One Door Away From Heaven**In a dusty trailer park on the far edge of the California dream, Michelina Bellsong contemplates the choices she has made. At twenty-eight, she wants to change the direction of her troubled life but can’t find her way—until a new family settles into the rental trailer next door and she meets the young girl who will lead her on a remarkable quest that will change Micky herself and everything she knows—or thinks she knows—forever. Despite the brace she must wear on her deformed left leg, and her withered left hand, nine-year-old Leilani Klonk radiates a buoyant and indomitable spirit that inspires Micky. Beneath Leilani’s effervescence, however, Micky comes to sense a quiet desperation that the girl dares not express.Leilani’s mother is little more than a child herself. And the girl’s stepfather, Preston Maddoc, is educated but threatening. He has moved the family from place to place as he fanatically investigates UFO sightings, striving to make contact, claiming to have had a vision that by Leilani’s tenth birthday aliens will either heal her or take her away to a better life on their world.Slowly, ever more troubling details emerge in Leilani’s conversations with Micky. Most chilling is Micky’s discovery that Leilani had an older brother, also disabled, who vanished after Maddoc took him into the woods one night and is now “gone to the stars.”Leilani’s tenth birthday is approaching. Micky is convinced the girl will be dead by that day. While the child-protection bureaucracy gives Micky the runaround, the Maddoc family slips away into the night. Micky sets out across America to track and find them, alone and afraid but for the first time living for something bigger than herself.She finds herself pitted against an adversary, Preston Maddoc, as fearsome as he is cunning. The passion and disregard for danger with which Micky pursues her quest bring to her side a burned-out detective who joins her on a journey of incredible peril and startling discoveries, a journey through terrible darkness to unexpected light. **One Door Away From Heaven** is an incandescent mix of suspense and humor, fear and wonder, a story of redemption and timeless wisdom that will have readers cheering. Filled with tragedy and joy, with terror and hope, it solidifies Dean Koontz’s reputation as one of the foremost storytellers of our time. This is Dean Koontz at his very best—and it doesn’t get any better than that.*From the Hardcover edition.*

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Number9dream

EDITORIAL REVIEW: **Number9Dream** is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams. David Mitchell follows his eerily precocious, globe-striding first novel, *Ghostwritten*, with a work that is in its way even more ambitious. In outward form, **Number9Dream** is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name.*From the Hardcover edition.*

EDITORIAL REVIEW: **Number9Dream** is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams. David Mitchell follows his eerily precocious, globe-striding first novel, *Ghostwritten*, with a work that is in its way even more ambitious. In outward form, **Number9Dream** is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name.*From the Hardcover edition.*

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Nathan’s Child

Nathan’s Child by Anne McAllister
When Nathan Wolfe discovers that he’s a father, he decides that marriage is the only way to mend the past.
Carin Campbell had good reasons for keeping Nathan’s child a secret. But now he’s demanding that they marry. Carin knows he’s proposed out of duty, not love. Besides, he isn’t the type to settle down.
That was then, Nathan says. Now he’s determined to prove her wrong….

Nathan’s Child by Anne McAllister
When Nathan Wolfe discovers that he’s a father, he decides that marriage is the only way to mend the past.
Carin Campbell had good reasons for keeping Nathan’s child a secret. But now he’s demanding that they marry. Carin knows he’s proposed out of duty, not love. Besides, he isn’t the type to settle down.
That was then, Nathan says. Now he’s determined to prove her wrong….

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Mountain Sheriff

TROUBLE ALWAYS ACCOMPANIED THE RAINY SEASON Rain and isolation could make folks crazy in these parts. Sheriff Mitch Tanner — the most eligible bachelor in the county — would have his hands full for sure. Bigfoot sightings and sundry strange happenings he could handle…but he wasn’t prepared for murder. With a killer on the loose, he’d have to keep a tight grip on the investigation and a close eye on the mounting list of suspects. Unfortunately, the person causing the most trouble to his male senses was none other than the town’s biggest gossip and the one woman he’d do anything to avoid: Charity Jenkins. Sure enough, she’d whittled away at his confirmed-single status with her annoying questions and all-American-girl good looks and had him thinking about something more permanent. Except a killer had other plans for Charity.

TROUBLE ALWAYS ACCOMPANIED THE RAINY SEASON Rain and isolation could make folks crazy in these parts. Sheriff Mitch Tanner — the most eligible bachelor in the county — would have his hands full for sure. Bigfoot sightings and sundry strange happenings he could handle…but he wasn’t prepared for murder. With a killer on the loose, he’d have to keep a tight grip on the investigation and a close eye on the mounting list of suspects. Unfortunately, the person causing the most trouble to his male senses was none other than the town’s biggest gossip and the one woman he’d do anything to avoid: Charity Jenkins. Sure enough, she’d whittled away at his confirmed-single status with her annoying questions and all-American-girl good looks and had him thinking about something more permanent. Except a killer had other plans for Charity.

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Mosaic Of Shadows

Byzantium, 1096. A mysterious assassin releases an arrow aimed at the emperor—but he has more than just a man in his sights. A keystone of a crumbling empire, the emperor is the solitary figure holding all the enemies in check. And if he falls, the mightiest power in Christendom will be torn apart.
Demetrios Askiates, unveiler of mysteries, is hired to catch the would-be-killer. But he is entering an unknown world; a babbling cauldron of princes, slaves, mercenaries, pimps, and eunuchs. Not all enemies are within the city walls, however, and with the Turks running rampant across Asia, the emperor has sent to the west for mercenaries to reinforce his position. When a great army, tens of thousands strong, appears before the city gates—the emperor gets more than he bargained for. From the depths of the slums to the golden towers of the city palace; from the sands of the hippodrome to the soaring domes of Ayia Sophia; Demetrios must edge his way through a glittering maze of treachery and deceit before time runs out.
Intent on making their fortunes in war, and with no allegiance to this empire, the first crusaders have arrived with eyes full of jealousy and suspicion. As the armies of the east and west confront each other, and with the assassin creeping ever closer to his prey, Demetrios must untangle this golden web of intrigue that surrounds the emperor—before the city, and the empire, are drowned in blood.

“His portrayal of the Byzantine city and the intrigues that threaten its destruction is vivid and convincing.”
—*The Sunday Times* (UK)

“It’s a world that Harper brings exuberantly to life, clearly revelling in its teeming, tumultuous extravagance. But he also has a sharp eye for an intriguing mystery.”
—*Yorkshire Post* (UK)

“Tom Harper writes with strident clarity in this epic tale of murder and betrayal, bloodshed and romance. Gripping from the first page, the reader is swept up…. Well researched and cinematic in its imagery, this is a fast-paced and exciting debut.”
—INK (UK)

“A gripping tale…I look forward to Demetrios’s further adventures.”
—Elizabeth Hawksley, *Historical Novels Review*

“A lively adventure…. The imperial palace, with all its splendor and intrigue, is brought vividly to life.”
—*Good Book Review* (UK)

“An engaging romp—Byzantine not only in time and location but the ins and outs of the plot.”
—*The Advertiser* (Australia)

Byzantium, 1096. A mysterious assassin releases an arrow aimed at the emperor—but he has more than just a man in his sights. A keystone of a crumbling empire, the emperor is the solitary figure holding all the enemies in check. And if he falls, the mightiest power in Christendom will be torn apart.
Demetrios Askiates, unveiler of mysteries, is hired to catch the would-be-killer. But he is entering an unknown world; a babbling cauldron of princes, slaves, mercenaries, pimps, and eunuchs. Not all enemies are within the city walls, however, and with the Turks running rampant across Asia, the emperor has sent to the west for mercenaries to reinforce his position. When a great army, tens of thousands strong, appears before the city gates—the emperor gets more than he bargained for. From the depths of the slums to the golden towers of the city palace; from the sands of the hippodrome to the soaring domes of Ayia Sophia; Demetrios must edge his way through a glittering maze of treachery and deceit before time runs out.
Intent on making their fortunes in war, and with no allegiance to this empire, the first crusaders have arrived with eyes full of jealousy and suspicion. As the armies of the east and west confront each other, and with the assassin creeping ever closer to his prey, Demetrios must untangle this golden web of intrigue that surrounds the emperor—before the city, and the empire, are drowned in blood.

“His portrayal of the Byzantine city and the intrigues that threaten its destruction is vivid and convincing.”
—*The Sunday Times* (UK)

“It’s a world that Harper brings exuberantly to life, clearly revelling in its teeming, tumultuous extravagance. But he also has a sharp eye for an intriguing mystery.”
—*Yorkshire Post* (UK)

“Tom Harper writes with strident clarity in this epic tale of murder and betrayal, bloodshed and romance. Gripping from the first page, the reader is swept up…. Well researched and cinematic in its imagery, this is a fast-paced and exciting debut.”
—INK (UK)

“A gripping tale…I look forward to Demetrios’s further adventures.”
—Elizabeth Hawksley, *Historical Novels Review*

“A lively adventure…. The imperial palace, with all its splendor and intrigue, is brought vividly to life.”
—*Good Book Review* (UK)

“An engaging romp—Byzantine not only in time and location but the ins and outs of the plot.”
—*The Advertiser* (Australia)

Only registered users can download this free product.