24289–24304 di 81643 risultati

The Spirit Rebellion: The Legend of Eli Monpress

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Eli Monpress is brilliant. He’s incorrigible. And he’s a thief.He’s also still at large, which drives Miranda Lyonette crazy. While she’s been kicked out of the Spirit Court, Eli’s had plenty of time to plan his next adventure. But now the tables have turned, because Miranda has a new job – and an opportunity to capture a certain thief.Things are about to get exciting for Eli. He’s picked a winner for his newest heist. His target: the Duke of Gaol’s famous ‘thief-proof’ citadel. Eli knows Gaol is a trap, but what’s life without challenges? Except the Duke is one of the wealthiest men in the world, a wizard who rules his duchy with an iron fist, and an obsessive perfectionist with only one hobby: Eli.It seems that everyone is hunting for Eli Monpress.

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Eli Monpress is brilliant. He’s incorrigible. And he’s a thief.He’s also still at large, which drives Miranda Lyonette crazy. While she’s been kicked out of the Spirit Court, Eli’s had plenty of time to plan his next adventure. But now the tables have turned, because Miranda has a new job – and an opportunity to capture a certain thief.Things are about to get exciting for Eli. He’s picked a winner for his newest heist. His target: the Duke of Gaol’s famous ‘thief-proof’ citadel. Eli knows Gaol is a trap, but what’s life without challenges? Except the Duke is one of the wealthiest men in the world, a wizard who rules his duchy with an iron fist, and an obsessive perfectionist with only one hobby: Eli.It seems that everyone is hunting for Eli Monpress.

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Spider Bones: A Novel

SUMMARY: Kathy Reichs#1New York Timesbestselling author and producer of the FOX television hitBonesreturns with the thirteenth riveting novel featuring forensic anthropologist Dr. Temperance Brennan. John Lowery was declared dead in 1968the victim of a Huey crash in Vietnam, his body buried long ago in North Carolina. Four decades later, Temperance Brennan is called to the scene of a drowning in Hemmingford, Quebec. The victim appears to have died while in the midst of a bizarre sexual practice. The corpse is later identified as John Lowery. But how could Lowery have died twice, and how did an American soldier end up in Canada? Tempe sets off for the answer, exhuming Lowery’s grave in North Carolina and taking the remains to Hawaii for reanalysisto the headquarters of JPAC, the U.S. military’s Joint POW/ MIA Accounting Command, which strives to recover Americans who have died in past conflicts. In Hawaii, Tempe is joined by her colleague and ex-lover Detective Andrew Ryan (how “ex” is he?) and by her daughter, who is recovering from her own tragic loss. Soon another set of remains is located, with Lowery’s dog tags tangled among them. Three bodiesall identified as Lowery. And then Tempe is contacted by Hadley Perry, Honolulu’s flamboyant medical examiner, who needs help identifying the remains of an adolescent boy found offshore. Was he the victim of a shark attack? Or something much more sinister? A complex and riveting tale of deceit and murder unfolds in this, the thirteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the smash hitBonesnow in its fifth season and in full syndicationand her most recent novel,206 Bones,an instantNew York TimesbestsellerKathy Reichs is at the top of her game.

SUMMARY: Kathy Reichs#1New York Timesbestselling author and producer of the FOX television hitBonesreturns with the thirteenth riveting novel featuring forensic anthropologist Dr. Temperance Brennan. John Lowery was declared dead in 1968the victim of a Huey crash in Vietnam, his body buried long ago in North Carolina. Four decades later, Temperance Brennan is called to the scene of a drowning in Hemmingford, Quebec. The victim appears to have died while in the midst of a bizarre sexual practice. The corpse is later identified as John Lowery. But how could Lowery have died twice, and how did an American soldier end up in Canada? Tempe sets off for the answer, exhuming Lowery’s grave in North Carolina and taking the remains to Hawaii for reanalysisto the headquarters of JPAC, the U.S. military’s Joint POW/ MIA Accounting Command, which strives to recover Americans who have died in past conflicts. In Hawaii, Tempe is joined by her colleague and ex-lover Detective Andrew Ryan (how “ex” is he?) and by her daughter, who is recovering from her own tragic loss. Soon another set of remains is located, with Lowery’s dog tags tangled among them. Three bodiesall identified as Lowery. And then Tempe is contacted by Hadley Perry, Honolulu’s flamboyant medical examiner, who needs help identifying the remains of an adolescent boy found offshore. Was he the victim of a shark attack? Or something much more sinister? A complex and riveting tale of deceit and murder unfolds in this, the thirteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the smash hitBonesnow in its fifth season and in full syndicationand her most recent novel,206 Bones,an instantNew York TimesbestsellerKathy Reichs is at the top of her game.

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Spellwright

SUMMARY: Nicodemus is a young, gifted wizard with a problem. Magic in his world requires the caster to create spells by writing out the text . . . but he has always been dyslexic, and thus has trouble casting even the simplest of spells. And his misspells could prove dangerous, even deadly, should he make a mistake in an important incantation.Yet he has always felt that he is destined to be something more than a failed wizard. When a powerful, ancient evil begins a campaign of murder and disruption, Nicodemus starts to have disturbing dreams that lead him to believe that his misspelling could be the result of a curse. But before he can discover the truth about himself, he is attacked by an evil which has already claimed the lives of fellow wizards and has cast suspicion on his mentor. He must flee for his own life if he’s to find the true villain.But more is at stake than his abilities. For the evil that has awakened is a power so dread and vast that if unleashed it will destroy Nicodemus… and the world.

SUMMARY: Nicodemus is a young, gifted wizard with a problem. Magic in his world requires the caster to create spells by writing out the text . . . but he has always been dyslexic, and thus has trouble casting even the simplest of spells. And his misspells could prove dangerous, even deadly, should he make a mistake in an important incantation.Yet he has always felt that he is destined to be something more than a failed wizard. When a powerful, ancient evil begins a campaign of murder and disruption, Nicodemus starts to have disturbing dreams that lead him to believe that his misspelling could be the result of a curse. But before he can discover the truth about himself, he is attacked by an evil which has already claimed the lives of fellow wizards and has cast suspicion on his mentor. He must flee for his own life if he’s to find the true villain.But more is at stake than his abilities. For the evil that has awakened is a power so dread and vast that if unleashed it will destroy Nicodemus… and the world.

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Spells

EDITORIAL REVIEW: “I can’t just storm in and proclaim my intentions. I can’t ‘steal’ you away. I just have to wait and hope that, someday, you’ll ask,” Tamani said. “And if I don’t?” Laurel said, her voice barely above a whisper. “Then I guess I’ll be waiting forever.” Although Laurel has come to accept her true identity as a faerie, she refuses to turn her back on her human life—and especially her boyfriend, David—to return to the faerie world. But when she is summoned to Avalon, Laurel’s feelings for the charismatic faerie sentry Tamani are undeniable. She is forced to make a choice—a choice that could break her heart.

EDITORIAL REVIEW: “I can’t just storm in and proclaim my intentions. I can’t ‘steal’ you away. I just have to wait and hope that, someday, you’ll ask,” Tamani said. “And if I don’t?” Laurel said, her voice barely above a whisper. “Then I guess I’ll be waiting forever.” Although Laurel has come to accept her true identity as a faerie, she refuses to turn her back on her human life—and especially her boyfriend, David—to return to the faerie world. But when she is summoned to Avalon, Laurel’s feelings for the charismatic faerie sentry Tamani are undeniable. She is forced to make a choice—a choice that could break her heart.

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Special topics in calamity physics

SUMMARY: This mesmerizing debut, uncannily uniting the trials of a postmodern upbringing with a murder mystery, heralds the arrival of a vibrant new voice in literary fiction Special Topics in Calamity Physics is a darkly hilarious coming-of-age novel and a richly plotted suspense tale told through the distinctive voice of its heroine, Blue van Meer. After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah’s friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her. Structured around a syllabus for a Great Works of Literature class and containing ironic visual aids (drawn by the author), Pessl’s debut novel is complex yet compelling, erudite yet accessible. It combines the suspense of Hitchcock, the self-parody of Dave Eggers, and the storytelling gifts of Donna Tartt with a dazzling intelligence and wit entirely Pessl’s own.

SUMMARY: This mesmerizing debut, uncannily uniting the trials of a postmodern upbringing with a murder mystery, heralds the arrival of a vibrant new voice in literary fiction Special Topics in Calamity Physics is a darkly hilarious coming-of-age novel and a richly plotted suspense tale told through the distinctive voice of its heroine, Blue van Meer. After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah’s friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her. Structured around a syllabus for a Great Works of Literature class and containing ironic visual aids (drawn by the author), Pessl’s debut novel is complex yet compelling, erudite yet accessible. It combines the suspense of Hitchcock, the self-parody of Dave Eggers, and the storytelling gifts of Donna Tartt with a dazzling intelligence and wit entirely Pessl’s own.

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Special Ops

Amazon.com Review

Bestselling author W.E.B. Griffin, whose novels about various branches of the military have won him battalions of fans, returns to the Brotherhood of War series with this crackling yarn. A detachment of Special Forces hotshots teams up with presidential counselor Sandy Felter to put a stop to Che Guevara’s attempts to “liberate” the Congo from President Joseph Mobutu’s anticommunist government.

Under Felter’s direction, the Green Berets dispatch a special detachment to the Congo. Their mission is to convince Mobutu of the wisdom of the American plan to discredit and humiliate Che and his Cuban troops, rather than martyr him, and thus bring an end to his plan to export Castro-style communism to Africa and South America. Repelling the Simba insurgents with help from forces led by South African mercenary Mike Hoare, Mobutu accepts the plan, along with the Green Beret’s covert assistance, war materiel, and a fighting force manned by many of the characters who peopled The Aviators, Griffin’s last Brotherhood adventure. Yes, fans, the good guys are back–especially flying ace Jack Portet, (a pilot drafted into the army right out of Leopoldville, where he was helping his father run a regional airline), George Washington “Father” Lunsford, and Master Sergeant “Doubting” Thomas. And a lot of them are black, a talented crew of African American airmen and specialists pressed into the Special Forces not just because they’re brave and able but because they can pass as Congolese soldiers and thereby keep the American presence under wraps.

As a matter of historical fact Guevara failed badly in the Congo, and after retreating to Cuba, tried the same gambit in Bolivia, where he eventually died under fire and gained the martyrdom the U.S. tried so hard to prevent. But Special Ops offers a close-up look at a little-known piece of military history in a gloriously testosterone-pumped epic, seasoned with a touch of sex and romance. That may seem incongruous, given Griffin’s clipped, terse writing style, which is punctuated with plenty of military dispatches and a few gratuitous growls at the internecine rivalry among American intelligence agencies. It’s even more incongruous when the general’s daughter gets the flying ace, and her father’s highly placed friends not only get Portet an officer’s stripes but fly her to the Congo to stand by her man. But none of that will stop Griffin’s delighted readers from snapping up his latest chronicle of men at war. –Jane Adams

From Publishers Weekly

Newly initiated readers of Griffin (The Fighting Agents) will find the latest in the Brotherhood of War series strongly reminiscent of modern American military classics From Here to Eternity and The Winds of War. Longtime Griffin faithful, eager since 1988’s The Aviators for the next BOW installment, will deem this ’60s action drama well worth the wait. Fresh from disobeying orders on a rescue mission to the Congo in November 1964 (and receiving two medals for his heroic efforts), former airline pilotDnow Green Beret Sgt.DJack Portet is promoted to lieutenant and assigned to Top Secret Special Operations under Col. Sanford T. Felter, adviser to the president. CIA sources report that Cuban revolutionary Che Guevara is going to the Congo to establish a major Communist foothold in Africa, before moving on to South America. LBJ, with counsel from Felter, decides that it would be better politics to humiliate Guevara in the Congo than to elevate him to martyr status by killing him. To that end, Portet, Felton and Maj. George Washington “Father” Lunsford persuade Joseph Mobutu, president of the Republic of the Congo, to allow a crack unit of African-American Green Berets, all fluent in Swahili, to carry out the assignment. The Special Ops manage to chase Che out of Africa only to see him try to gain power in Bolivia. His writing enriched by new, fully developed characters, Griffin also reprises BOW favorites Craig Lowell, Robert Bellmon, Geoff Craig and William “Doubting” Thomas as he renders an intricately layered, epic novel of the fascinating machinations of international politics and the life and passions of the men who make it happen. Given Griffin’s track record with military adventureDhe launched the Lieutenants of the Brotherhood in 1982Dthe audience for this rouser is ready and waiting. (Jan.)
Copyright 2000 Reed Business Information, Inc.

Amazon.com Review

Bestselling author W.E.B. Griffin, whose novels about various branches of the military have won him battalions of fans, returns to the Brotherhood of War series with this crackling yarn. A detachment of Special Forces hotshots teams up with presidential counselor Sandy Felter to put a stop to Che Guevara’s attempts to “liberate” the Congo from President Joseph Mobutu’s anticommunist government.

Under Felter’s direction, the Green Berets dispatch a special detachment to the Congo. Their mission is to convince Mobutu of the wisdom of the American plan to discredit and humiliate Che and his Cuban troops, rather than martyr him, and thus bring an end to his plan to export Castro-style communism to Africa and South America. Repelling the Simba insurgents with help from forces led by South African mercenary Mike Hoare, Mobutu accepts the plan, along with the Green Beret’s covert assistance, war materiel, and a fighting force manned by many of the characters who peopled The Aviators, Griffin’s last Brotherhood adventure. Yes, fans, the good guys are back–especially flying ace Jack Portet, (a pilot drafted into the army right out of Leopoldville, where he was helping his father run a regional airline), George Washington “Father” Lunsford, and Master Sergeant “Doubting” Thomas. And a lot of them are black, a talented crew of African American airmen and specialists pressed into the Special Forces not just because they’re brave and able but because they can pass as Congolese soldiers and thereby keep the American presence under wraps.

As a matter of historical fact Guevara failed badly in the Congo, and after retreating to Cuba, tried the same gambit in Bolivia, where he eventually died under fire and gained the martyrdom the U.S. tried so hard to prevent. But Special Ops offers a close-up look at a little-known piece of military history in a gloriously testosterone-pumped epic, seasoned with a touch of sex and romance. That may seem incongruous, given Griffin’s clipped, terse writing style, which is punctuated with plenty of military dispatches and a few gratuitous growls at the internecine rivalry among American intelligence agencies. It’s even more incongruous when the general’s daughter gets the flying ace, and her father’s highly placed friends not only get Portet an officer’s stripes but fly her to the Congo to stand by her man. But none of that will stop Griffin’s delighted readers from snapping up his latest chronicle of men at war. –Jane Adams

From Publishers Weekly

Newly initiated readers of Griffin (The Fighting Agents) will find the latest in the Brotherhood of War series strongly reminiscent of modern American military classics From Here to Eternity and The Winds of War. Longtime Griffin faithful, eager since 1988’s The Aviators for the next BOW installment, will deem this ’60s action drama well worth the wait. Fresh from disobeying orders on a rescue mission to the Congo in November 1964 (and receiving two medals for his heroic efforts), former airline pilotDnow Green Beret Sgt.DJack Portet is promoted to lieutenant and assigned to Top Secret Special Operations under Col. Sanford T. Felter, adviser to the president. CIA sources report that Cuban revolutionary Che Guevara is going to the Congo to establish a major Communist foothold in Africa, before moving on to South America. LBJ, with counsel from Felter, decides that it would be better politics to humiliate Guevara in the Congo than to elevate him to martyr status by killing him. To that end, Portet, Felton and Maj. George Washington “Father” Lunsford persuade Joseph Mobutu, president of the Republic of the Congo, to allow a crack unit of African-American Green Berets, all fluent in Swahili, to carry out the assignment. The Special Ops manage to chase Che out of Africa only to see him try to gain power in Bolivia. His writing enriched by new, fully developed characters, Griffin also reprises BOW favorites Craig Lowell, Robert Bellmon, Geoff Craig and William “Doubting” Thomas as he renders an intricately layered, epic novel of the fascinating machinations of international politics and the life and passions of the men who make it happen. Given Griffin’s track record with military adventureDhe launched the Lieutenants of the Brotherhood in 1982Dthe audience for this rouser is ready and waiting. (Jan.)
Copyright 2000 Reed Business Information, Inc.

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Speak, bird, speak again: Palestinian Arab folktales

SUMMARY: Were it simply a collection of fascinating, previously unpublished folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales would merit praise and attention because of its cultural rather than political approach to Palestinian studies. But it is much more than this. By combining their respective expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these tales an integral method of study that unites a sensitivity to language with a deep appreciation for culture.As native Palestinians, the authors are well-suited to their task. Over the course of several years they collected tales in the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represented the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances of tales that are at once earthy and whimsical. The authors have also provided footnotes, an international typology, a comprehensive motif index, and a thorough analytic guide to parallel tales in the larger Arab tradition in folk narrative. Speak, Bird, Speak Again is an essential guide to Palestinian culture and a must for those who want to deepen their understanding of a troubled, enduring people. Were it simply a collection of fascinating, previously unpublished folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales would merit praise and attention because of its cultural rather than political approach to Palestinian studies. But it is much more than this. By combining their respective expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these tales an integral method of study that unites a sensitivity to language with a deep appreciation for culture.As native Palestinians, the authors are well-suited to their task. Over the course of several years they collected tales in the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represented the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances of tales that are at once earthy and whimsical. The authors have also provided footnotes, an international typology, a comprehensive motif index, and a thorough analytic guide to parallel tales in the larger Arab tradition in folk narrative. Speak, Bird, Speak Again is an essential guide to Palestinian culture and a must for those who want to deepen their understanding of a troubled, enduring people.

SUMMARY: Were it simply a collection of fascinating, previously unpublished folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales would merit praise and attention because of its cultural rather than political approach to Palestinian studies. But it is much more than this. By combining their respective expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these tales an integral method of study that unites a sensitivity to language with a deep appreciation for culture.As native Palestinians, the authors are well-suited to their task. Over the course of several years they collected tales in the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represented the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances of tales that are at once earthy and whimsical. The authors have also provided footnotes, an international typology, a comprehensive motif index, and a thorough analytic guide to parallel tales in the larger Arab tradition in folk narrative. Speak, Bird, Speak Again is an essential guide to Palestinian culture and a must for those who want to deepen their understanding of a troubled, enduring people. Were it simply a collection of fascinating, previously unpublished folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales would merit praise and attention because of its cultural rather than political approach to Palestinian studies. But it is much more than this. By combining their respective expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these tales an integral method of study that unites a sensitivity to language with a deep appreciation for culture.As native Palestinians, the authors are well-suited to their task. Over the course of several years they collected tales in the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represented the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances of tales that are at once earthy and whimsical. The authors have also provided footnotes, an international typology, a comprehensive motif index, and a thorough analytic guide to parallel tales in the larger Arab tradition in folk narrative. Speak, Bird, Speak Again is an essential guide to Palestinian culture and a must for those who want to deepen their understanding of a troubled, enduring people.

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Spade & Archer: the prequel to Dashiell Hammett’s The maltese falcon

SUMMARY: When Sam Spade gets drawn into the Maltese Falcon case, we know what to expect: straight talk, hard questions, no favors, and no way for anyone to get underneath the protective shell he wears like a second skin. We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer’s wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don’t know is how Spade became who he is. “Spade & Archer” completes the picture. 1921: Spade sets up his own agency in San Francisco and clients quickly start coming through the door. The next seven years will see him dealing with booze runners, waterfront thugs, stowaways, banking swindlers, gold smugglers, bumbling cops, and the illegitimate daughter of Sun Yat-sen; with murder, other men’s mistresses, and long-missing money. He’ll bring in Archer as a partner, though it was Archer who stole his girl while he was fighting in World War I. He’ll tangle with a villain who never loses his desire to make Spade pay big for ruining what should’ve been the perfect crime. And he’ll fall in love–though it won’t turn out for the best. It never does with dames . . . “Spade & Archer “is a gritty, pitch-perfect, hard-boiled novel–the work of a master mystery writer–destined to become a classic in its own right.

SUMMARY: When Sam Spade gets drawn into the Maltese Falcon case, we know what to expect: straight talk, hard questions, no favors, and no way for anyone to get underneath the protective shell he wears like a second skin. We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer’s wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don’t know is how Spade became who he is. “Spade & Archer” completes the picture. 1921: Spade sets up his own agency in San Francisco and clients quickly start coming through the door. The next seven years will see him dealing with booze runners, waterfront thugs, stowaways, banking swindlers, gold smugglers, bumbling cops, and the illegitimate daughter of Sun Yat-sen; with murder, other men’s mistresses, and long-missing money. He’ll bring in Archer as a partner, though it was Archer who stole his girl while he was fighting in World War I. He’ll tangle with a villain who never loses his desire to make Spade pay big for ruining what should’ve been the perfect crime. And he’ll fall in love–though it won’t turn out for the best. It never does with dames . . . “Spade & Archer “is a gritty, pitch-perfect, hard-boiled novel–the work of a master mystery writer–destined to become a classic in its own right.

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Southern Lights: A Novel

EDITORIAL REVIEW: *Danielle Steel sweeps us from a Manhattan courtroom to the Deep South in her powerful new novel—at once a behind-closed-doors look into the heart of a family and a tale of crime and punishment. *** **Eleven years have passed since Alexa Hamilton left the South behind, fleeing the pain of her ex-husband’s betrayal and the cruelty of his prominent Charleston family. Now an assistant D.A. in Manhattan, Alexa has finally put her demons to rest, making a name for herself as a top prosecutor, handling the city’s toughest cases while juggling her role as devoted single mom to a teenage daughter. But everything changes when Alexa is handed her latest case: the trial of accused serial killer Luke Quentin. Sifting through mountains of forensic evidence, Alexa prepares for a high-stakes trial…until threatening letters throw her private life into turmoil. The letters are addressed to her beautiful seventeen-year-old daughter, Savannah, whom Alexa has been raising alone since her divorce. Alexa is certain that Quentin is behind the letters—and that they are too dangerous to ignore. Suddenly she must make the toughest choice of all—and send her daughter back to the very place she swore she would never return to: the place where her marriage ended in heartbreak…her ex-husband’s world of southern tradition, memories of betrayal, and the antebellum charm of Charleston. Now, while Alexa’s trial builds to a climax in New York, her daughter is settling into southern life, discovering a part of her family history and a father she barely knows–from the ice-cold stepmother who stole him away to a fascinating ancestry and a half-sister and half-brothers she comes to love. As secrets are exposed and old wounds are healed, Alexa and Savannah, after a season in different worlds, will come together again—strengthened by the challenges they have faced, changed by the mysteries they have unraveled, and with Savannah now at home in the southern world her mother fled. In this masterfully told tale, Danielle Steel creates a stunning array of contrasts: from the gritty chaos of Manhattan’ s criminal court system to the seductive gentility of the South, from the rage of a hardened criminal to the tender bond between a mother and daughter—and a loving father who has welcomed Savannah home at last. A novel that will catch you off guard at every turn, **Southern Lights** is Danielle Steel at her electrifying best.

EDITORIAL REVIEW: *Danielle Steel sweeps us from a Manhattan courtroom to the Deep South in her powerful new novel—at once a behind-closed-doors look into the heart of a family and a tale of crime and punishment. *** **Eleven years have passed since Alexa Hamilton left the South behind, fleeing the pain of her ex-husband’s betrayal and the cruelty of his prominent Charleston family. Now an assistant D.A. in Manhattan, Alexa has finally put her demons to rest, making a name for herself as a top prosecutor, handling the city’s toughest cases while juggling her role as devoted single mom to a teenage daughter. But everything changes when Alexa is handed her latest case: the trial of accused serial killer Luke Quentin. Sifting through mountains of forensic evidence, Alexa prepares for a high-stakes trial…until threatening letters throw her private life into turmoil. The letters are addressed to her beautiful seventeen-year-old daughter, Savannah, whom Alexa has been raising alone since her divorce. Alexa is certain that Quentin is behind the letters—and that they are too dangerous to ignore. Suddenly she must make the toughest choice of all—and send her daughter back to the very place she swore she would never return to: the place where her marriage ended in heartbreak…her ex-husband’s world of southern tradition, memories of betrayal, and the antebellum charm of Charleston. Now, while Alexa’s trial builds to a climax in New York, her daughter is settling into southern life, discovering a part of her family history and a father she barely knows–from the ice-cold stepmother who stole him away to a fascinating ancestry and a half-sister and half-brothers she comes to love. As secrets are exposed and old wounds are healed, Alexa and Savannah, after a season in different worlds, will come together again—strengthened by the challenges they have faced, changed by the mysteries they have unraveled, and with Savannah now at home in the southern world her mother fled. In this masterfully told tale, Danielle Steel creates a stunning array of contrasts: from the gritty chaos of Manhattan’ s criminal court system to the seductive gentility of the South, from the rage of a hardened criminal to the tender bond between a mother and daughter—and a loving father who has welcomed Savannah home at last. A novel that will catch you off guard at every turn, **Southern Lights** is Danielle Steel at her electrifying best.

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South of the Border, West of the Sun

SUMMARY: In South of the Border, West of the Sun, the arc of an average man’s life from childhood to middle age, with its attendant rhythms of success and disappointment, becomes the kind of exquisite literary conundrum that is Haruki Murakami’s trademark. The plot is simple: Hajime meets and falls in love with a girl in elementary school, but he loses touch with her when his family moves to another town. He drifts through high school, college, and his 20s, before marrying and settling into a career as a successful bar owner. Then his childhood sweetheart returns, weighed down with secrets: When I went back into the bar, a glass and ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound. Murakami eschews the fantastic elements that appear in many of his other novels and stories, and readers hoping for a glimpse of the Sheep Man will be disappointed. Yet South of the Border, West of the Sun is as rich and mysterious as anything he has written. It is above all a complex, moving, and honest meditation on the nature of love, distilled into a work with the crystal clarity of a short story. A Nat “King” Cole song, a figure on a crowded street, a face pressed against a car window, a handful of ashes drifting down a river to the sea are woven together into a story that refuses to arrive at a simple conclusion. The classic love triangle may seem like a hackneyed theme for a writer as talented as Murakami, but in his quietly dazzling way, he bends us to his own unique geometry. –Simon Leake –This text refers to an out of print or unavailable edition of this title. Romance, accusingly bittersweet but still redemptive, is the theme of this novel written by award-winning novelist Murakami, one of Japan’s most popular authors. Two only children who were schoolmates and best friends meet again after a 25-year separation. Hajime is now married, the father of two little girls and a successful owner of two jazz clubs. Shimamoto has also changed; she has become a very beautiful woman. She is always immaculately and expensively dressed, but she will not talk about her life or anything that has happened to her. Nevertheless, Hajime believes that he loves her more than life itself; he is convinced that he could leave his family and his business to be with her. After they spend a night together, a night filled with raw passion, she vanishes. Hajime is distraught. After much soul searching, he begins to put his life back together and discovers that he has become a stronger man, one who realizes that looking back is often necessary in order to move forward.?Janis Williams, Shaker Heights P.L., OH Copyright 1999 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title. Murakami never fails to surprise, whether he’s mixing genres and creating ambitious alternate worlds, as he did in the magisterial Wind-Up Bird Chronicle , or putting his own spin on a tale of obsessional love, as he does here. Like many of Murakami’s heroes, Hajime is, at least on the surface, a thoroughly conventional man: married with children, the owner of an upscale jazz bar in suburban Tokyo. And yet, there is another Hajime, disconnected from his outer self, drifting in its wake, waiting quietly to be summoned to action. The summons comes in the form of Shimamoto, Hajime’s childhood sweetheart, whom he hasn’t seen for 20 years but who has never been out of his thoughts. She returns one rainy night, walking into Hajime’s bar, and the effect is a little like what happens when Ilse walks into Rick’s in Casablanca (“Of all the gin joints in all the world . . .”). But it is something more, too. As always, Murakami drenches his story in American pop culture, but here he uses those illusions to set us up. What happens with Hajime and Shimamoto lacks the tragic tonic chord that melodramatic love stories give us at the end; instead, there is only mystery and confusion. In Murakami’s world, secret selves and other realities are forever lurking beneath the shifting sands of the everyday. If this examination of one of those selves is less grand than we’ve come to expect from one of the masters of the contemporary novel, it is also more intimate and every bit as unsettling. Bill Ott –This text refers to an out of print or unavailable edition of this title. This latest from the internationally celebrated Japanese author of A Wild Sheep Chase and The Wind-Up Bird Chronicle eschews Murakami’s trademark comic extravagance, offering instead a muted portrayal of dream-driven midlife crisis. Narrator Hajim e, an only child (a condition that obsesses him) whose very conventional upbringing includes a sexless (if emotionally intense) friendship with a crippled girl named Shimamoto, discovers in his mid-30s that his settled bourgeois existence masks an urgent desire to resume and consummate the relationship that dominated his youth. Having endured a frustrating teenage romance (which was ended by his own unfaithfulness) and an unrewarding job as a textbook editor, Hajime later married happily, fathered childre n, andthanks to his wealthy father-in-lawbecame the proprietor of two popular “jazz bars.” One night Shimamoto walks into Hajime’s popular Robin’s Nest, they talk for hours, and the fantasies of adventurous lives and exotic faraway places that had absor bed their earlier years gradually resurface. Persuading himself that “I was living someone else’s life, not my own,” Hajime surrenders to Shimamoto’s spell, accompanying her on an enigmatic “pilgrimage,” then tumbling into an affair terminated only wh en she inexplicably departs again, abandoning Hajime to the workaday world and domestic routine he had imagined escaping. In a slowly moving narrative made even more attenuated by shapeless lengthy conversations, Murakami presents Hajime as a hopeful drea mer chastened, though not changed, by his realization that “I could hurt somebody so badly she would never recover.” It seems scant material for a novel, though there are fine moments, including a hilarious anecdotal account of adolescent sexual panic a nd an eerie climactic encounter with Izumi, the girl Hajime had wronged many years earlier. Brief Encounter meets Blue Velvet? Or a book written to exorcize personal demons? Whichever, it’s only middling Murakamiwhat well have to make do with until the ne xt wild sheep or wind-up bird comes along. — Copyright ©1998, Kirkus Associates, LP. All rights reserved. –This text refers to an out of print or unavailable edition of this title. “A wise and beautiful book.” –The New York Times Book Review “A probing meditation on human fragility, the grip of obsession, and the impenetrable, erotically charged enigma that is the other.”  –The New York Times “Brilliant. . . . A mesmerizing new example of Murakami’s deeply original fiction.” –The Baltimore Sun “Lovely, deceptively simple. . . . A novel of existential romance.”  –San Francisco Chronicle “His most deeply moving novel.” –The Boston Globe — Review “A wise and beautiful book.” –The New York Times Book Review “A probing meditation on human fragility, the grip of obsession, and the impenetrable, erotically charged enigma that is the other.” –The New York Times “Brilliant. . . . A mesmerizing new example of Murakami’s deeply original fiction.” –The Baltimore Sun “Lovely, deceptively simple. . . . A novel of existential romance.” –San Francisco Chronicle “His most deeply moving novel.” –The Boston Globe “Mesmerizing. . . . This is a harrowing, a disturbing, a hauntingly brilliant tale.” –The Baltimore Sun “A fine, almost delicate book about what is unfathomable about us.” –The Philadelphia Inquirer “Portrayed in a fluid language that veers from the vernacular . . . to the surprisingly poetic.” –San Francisco Examiner & Chronicle “Haunting and natural. . . . so smoothly shifts the reader from mundane concerns into latent madness as to challenge one’s faith in the material world . . . contains passages that are among his finest.” –The New York Observer “Haruki Murakami applies his patented Japanese magic realism–minimalist, smooth and transcendently odd–to a charming tale of childhood love lost.” –New York

SUMMARY: In South of the Border, West of the Sun, the arc of an average man’s life from childhood to middle age, with its attendant rhythms of success and disappointment, becomes the kind of exquisite literary conundrum that is Haruki Murakami’s trademark. The plot is simple: Hajime meets and falls in love with a girl in elementary school, but he loses touch with her when his family moves to another town. He drifts through high school, college, and his 20s, before marrying and settling into a career as a successful bar owner. Then his childhood sweetheart returns, weighed down with secrets: When I went back into the bar, a glass and ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound. Murakami eschews the fantastic elements that appear in many of his other novels and stories, and readers hoping for a glimpse of the Sheep Man will be disappointed. Yet South of the Border, West of the Sun is as rich and mysterious as anything he has written. It is above all a complex, moving, and honest meditation on the nature of love, distilled into a work with the crystal clarity of a short story. A Nat “King” Cole song, a figure on a crowded street, a face pressed against a car window, a handful of ashes drifting down a river to the sea are woven together into a story that refuses to arrive at a simple conclusion. The classic love triangle may seem like a hackneyed theme for a writer as talented as Murakami, but in his quietly dazzling way, he bends us to his own unique geometry. –Simon Leake –This text refers to an out of print or unavailable edition of this title. Romance, accusingly bittersweet but still redemptive, is the theme of this novel written by award-winning novelist Murakami, one of Japan’s most popular authors. Two only children who were schoolmates and best friends meet again after a 25-year separation. Hajime is now married, the father of two little girls and a successful owner of two jazz clubs. Shimamoto has also changed; she has become a very beautiful woman. She is always immaculately and expensively dressed, but she will not talk about her life or anything that has happened to her. Nevertheless, Hajime believes that he loves her more than life itself; he is convinced that he could leave his family and his business to be with her. After they spend a night together, a night filled with raw passion, she vanishes. Hajime is distraught. After much soul searching, he begins to put his life back together and discovers that he has become a stronger man, one who realizes that looking back is often necessary in order to move forward.?Janis Williams, Shaker Heights P.L., OH Copyright 1999 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title. Murakami never fails to surprise, whether he’s mixing genres and creating ambitious alternate worlds, as he did in the magisterial Wind-Up Bird Chronicle , or putting his own spin on a tale of obsessional love, as he does here. Like many of Murakami’s heroes, Hajime is, at least on the surface, a thoroughly conventional man: married with children, the owner of an upscale jazz bar in suburban Tokyo. And yet, there is another Hajime, disconnected from his outer self, drifting in its wake, waiting quietly to be summoned to action. The summons comes in the form of Shimamoto, Hajime’s childhood sweetheart, whom he hasn’t seen for 20 years but who has never been out of his thoughts. She returns one rainy night, walking into Hajime’s bar, and the effect is a little like what happens when Ilse walks into Rick’s in Casablanca (“Of all the gin joints in all the world . . .”). But it is something more, too. As always, Murakami drenches his story in American pop culture, but here he uses those illusions to set us up. What happens with Hajime and Shimamoto lacks the tragic tonic chord that melodramatic love stories give us at the end; instead, there is only mystery and confusion. In Murakami’s world, secret selves and other realities are forever lurking beneath the shifting sands of the everyday. If this examination of one of those selves is less grand than we’ve come to expect from one of the masters of the contemporary novel, it is also more intimate and every bit as unsettling. Bill Ott –This text refers to an out of print or unavailable edition of this title. This latest from the internationally celebrated Japanese author of A Wild Sheep Chase and The Wind-Up Bird Chronicle eschews Murakami’s trademark comic extravagance, offering instead a muted portrayal of dream-driven midlife crisis. Narrator Hajim e, an only child (a condition that obsesses him) whose very conventional upbringing includes a sexless (if emotionally intense) friendship with a crippled girl named Shimamoto, discovers in his mid-30s that his settled bourgeois existence masks an urgent desire to resume and consummate the relationship that dominated his youth. Having endured a frustrating teenage romance (which was ended by his own unfaithfulness) and an unrewarding job as a textbook editor, Hajime later married happily, fathered childre n, andthanks to his wealthy father-in-lawbecame the proprietor of two popular “jazz bars.” One night Shimamoto walks into Hajime’s popular Robin’s Nest, they talk for hours, and the fantasies of adventurous lives and exotic faraway places that had absor bed their earlier years gradually resurface. Persuading himself that “I was living someone else’s life, not my own,” Hajime surrenders to Shimamoto’s spell, accompanying her on an enigmatic “pilgrimage,” then tumbling into an affair terminated only wh en she inexplicably departs again, abandoning Hajime to the workaday world and domestic routine he had imagined escaping. In a slowly moving narrative made even more attenuated by shapeless lengthy conversations, Murakami presents Hajime as a hopeful drea mer chastened, though not changed, by his realization that “I could hurt somebody so badly she would never recover.” It seems scant material for a novel, though there are fine moments, including a hilarious anecdotal account of adolescent sexual panic a nd an eerie climactic encounter with Izumi, the girl Hajime had wronged many years earlier. Brief Encounter meets Blue Velvet? Or a book written to exorcize personal demons? Whichever, it’s only middling Murakamiwhat well have to make do with until the ne xt wild sheep or wind-up bird comes along. — Copyright ©1998, Kirkus Associates, LP. All rights reserved. –This text refers to an out of print or unavailable edition of this title. “A wise and beautiful book.” –The New York Times Book Review “A probing meditation on human fragility, the grip of obsession, and the impenetrable, erotically charged enigma that is the other.”  –The New York Times “Brilliant. . . . A mesmerizing new example of Murakami’s deeply original fiction.” –The Baltimore Sun “Lovely, deceptively simple. . . . A novel of existential romance.”  –San Francisco Chronicle “His most deeply moving novel.” –The Boston Globe — Review “A wise and beautiful book.” –The New York Times Book Review “A probing meditation on human fragility, the grip of obsession, and the impenetrable, erotically charged enigma that is the other.” –The New York Times “Brilliant. . . . A mesmerizing new example of Murakami’s deeply original fiction.” –The Baltimore Sun “Lovely, deceptively simple. . . . A novel of existential romance.” –San Francisco Chronicle “His most deeply moving novel.” –The Boston Globe “Mesmerizing. . . . This is a harrowing, a disturbing, a hauntingly brilliant tale.” –The Baltimore Sun “A fine, almost delicate book about what is unfathomable about us.” –The Philadelphia Inquirer “Portrayed in a fluid language that veers from the vernacular . . . to the surprisingly poetic.” –San Francisco Examiner & Chronicle “Haunting and natural. . . . so smoothly shifts the reader from mundane concerns into latent madness as to challenge one’s faith in the material world . . . contains passages that are among his finest.” –The New York Observer “Haruki Murakami applies his patented Japanese magic realism–minimalist, smooth and transcendently odd–to a charming tale of childhood love lost.” –New York

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South of heaven

SUMMARY: In the 1920s the worst place you could be was in that part of Texas that some people call “South of Heaven,” and the worst thing you could be doing there was laying a gas pipeline, along with six-hundred other hoboes, juice-heads, and jailbirds. But that’s exactly what Tommy Burwell was doing, even though he wasn’t smart enough to know better. Even though “South of Heaven” is another term for hell.Combining a tale of escalating savagery with a dead-eyed group portrait of men at the edge, Jim Thompson has produced a masterpiece of the American dissolute.

SUMMARY: In the 1920s the worst place you could be was in that part of Texas that some people call “South of Heaven,” and the worst thing you could be doing there was laying a gas pipeline, along with six-hundred other hoboes, juice-heads, and jailbirds. But that’s exactly what Tommy Burwell was doing, even though he wasn’t smart enough to know better. Even though “South of Heaven” is another term for hell.Combining a tale of escalating savagery with a dead-eyed group portrait of men at the edge, Jim Thompson has produced a masterpiece of the American dissolute.

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South of Broad

SUMMARY: The publishing event of the season: The one and only Pat Conroy returns, with a big, sprawling novel that is at once a love letter to Charleston and to lifelong friendship. Against the sumptuous backdrop of Charleston, South Carolina, “South of Broad” gathers a unique cast of sinners and saints. Leopold Bloom King, our narrator, is the son of an amiable, loving father who teaches science at the local high school. His mother, an ex-nun, is the high school principal and a well-known Joyce scholar. After Leo’s older brother commits suicide at the age of thirteen, the family struggles with the shattering effects of his death, and Leo, lonely and isolated, searches for something to sustain him. Eventually, he finds his answer when he becomes part of a tightly knit group of high school seniors that includes friends Sheba and Trevor Poe, glamorous twins with an alcoholic mother and a prison-escapee father; hardscrabble mountain runaways Niles and Starla Whitehead; socialite Molly Huger and her boyfriend, Chadworth Rutledge X; and an ever-widening circle whose liaisons will ripple across two decades-from 1960s counterculture through the dawn of the AIDS crisis in the 1980s. The ties among them endure for years, surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, and Charleston’s dark legacy of racism and class divisions. But the final test of friendship that brings them to San Francisco is something no one is prepared for.” South of Broad” is Pat Conroy at his finest; a long-awaited work from a great American writer whose passion for life and language knows no bounds. “From the Hardcover edition.”

SUMMARY: The publishing event of the season: The one and only Pat Conroy returns, with a big, sprawling novel that is at once a love letter to Charleston and to lifelong friendship. Against the sumptuous backdrop of Charleston, South Carolina, “South of Broad” gathers a unique cast of sinners and saints. Leopold Bloom King, our narrator, is the son of an amiable, loving father who teaches science at the local high school. His mother, an ex-nun, is the high school principal and a well-known Joyce scholar. After Leo’s older brother commits suicide at the age of thirteen, the family struggles with the shattering effects of his death, and Leo, lonely and isolated, searches for something to sustain him. Eventually, he finds his answer when he becomes part of a tightly knit group of high school seniors that includes friends Sheba and Trevor Poe, glamorous twins with an alcoholic mother and a prison-escapee father; hardscrabble mountain runaways Niles and Starla Whitehead; socialite Molly Huger and her boyfriend, Chadworth Rutledge X; and an ever-widening circle whose liaisons will ripple across two decades-from 1960s counterculture through the dawn of the AIDS crisis in the 1980s. The ties among them endure for years, surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, and Charleston’s dark legacy of racism and class divisions. But the final test of friendship that brings them to San Francisco is something no one is prepared for.” South of Broad” is Pat Conroy at his finest; a long-awaited work from a great American writer whose passion for life and language knows no bounds. “From the Hardcover edition.”

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The Source

In his signature style of grand storytelling, James Michener sweeps us back through time to the Holy Land, thousands of years ago. By exploring the lives and discoveries of modern archaeologists excavating the site of Tell Makor, Michener vividly re-creates life in and around an ancient city during critical periods of its existence, and traces the profound history of the Jews, including that of the early Hebrews and their persecution, the impact of Christianity on the Jewish world, the Crusades, and the Spanish Inquisition. Michener weaves his epic tale of love, strength, and faith until at last he arrives at the founding of Israel and the modern conflict in the Middle East. *The Source* is not only a compelling history of the Holy Land and its people but a richly written saga that encompasses the development of Western civilization and the great religious and cultural ideas that have shaped our world.
*From the Trade Paperback edition.*
**

In his signature style of grand storytelling, James Michener sweeps us back through time to the Holy Land, thousands of years ago. By exploring the lives and discoveries of modern archaeologists excavating the site of Tell Makor, Michener vividly re-creates life in and around an ancient city during critical periods of its existence, and traces the profound history of the Jews, including that of the early Hebrews and their persecution, the impact of Christianity on the Jewish world, the Crusades, and the Spanish Inquisition. Michener weaves his epic tale of love, strength, and faith until at last he arrives at the founding of Israel and the modern conflict in the Middle East. *The Source* is not only a compelling history of the Holy Land and its people but a richly written saga that encompasses the development of Western civilization and the great religious and cultural ideas that have shaped our world.
*From the Trade Paperback edition.*
**

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The Sound of a Wild Snail Eating

EDITORIAL REVIEW: In a work that beautifully demonstrates the rewards of closely observing nature, Elisabeth Bailey shares an inspiring and intimate story of her uncommon encounter with a *Neohelix albolabris* —a common woodland snail. While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater under standing of her own confined place in the world. Intrigued by the snail’s molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and mysterious courtship activities, Bailey becomes an astute and amused observer, providing a candid and engaging look into the curious life of this underappreciated small animal. Told with wit and grace, *The Sound of a Wild Snail Eating* is a remarkable journey of survival and resilience, showing us how a small part of the natural world illuminates our own human existence and provides an appreciation of what it means to be fully alive.

EDITORIAL REVIEW: In a work that beautifully demonstrates the rewards of closely observing nature, Elisabeth Bailey shares an inspiring and intimate story of her uncommon encounter with a *Neohelix albolabris* —a common woodland snail. While an illness keeps her bedridden, Bailey watches a wild snail that has taken up residence on her nightstand. As a result, she discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater under standing of her own confined place in the world. Intrigued by the snail’s molluscan anatomy, cryptic defenses, clear decision making, hydraulic locomotion, and mysterious courtship activities, Bailey becomes an astute and amused observer, providing a candid and engaging look into the curious life of this underappreciated small animal. Told with wit and grace, *The Sound of a Wild Snail Eating* is a remarkable journey of survival and resilience, showing us how a small part of the natural world illuminates our own human existence and provides an appreciation of what it means to be fully alive.

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Soul Dancer

Once they used to dance as children, now Jamar Q’ellan wants to take dancing with Kierra Vonne to another level. As the years have elapsed, the distance between Jamar and Kierra has become insurmountable yet both will become entangled in a dance of desire. On the planet of Manitee-a in 2975 C.E., skin color determines whether you’re of the ruling class or a slave. Sex and love between them is forbidden between the black-skinned Jaquill ruling class and the white kattanee slaves. Kierra, a slave, knows the ultimate penalty if she makes love to Jamar but he is persistent, persuasive, and unwilling to let go of her and consequently the carefree past in which she loved and trusted him without reservation. The one time Kierra is allowed to choose, she must make a life or death decision – walk away from Jamar and true love or give him the passionate nights they both deserve. She just might make the wrong choice.

Once they used to dance as children, now Jamar Q’ellan wants to take dancing with Kierra Vonne to another level. As the years have elapsed, the distance between Jamar and Kierra has become insurmountable yet both will become entangled in a dance of desire. On the planet of Manitee-a in 2975 C.E., skin color determines whether you’re of the ruling class or a slave. Sex and love between them is forbidden between the black-skinned Jaquill ruling class and the white kattanee slaves. Kierra, a slave, knows the ultimate penalty if she makes love to Jamar but he is persistent, persuasive, and unwilling to let go of her and consequently the carefree past in which she loved and trusted him without reservation. The one time Kierra is allowed to choose, she must make a life or death decision – walk away from Jamar and true love or give him the passionate nights they both deserve. She just might make the wrong choice.

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Sophist

Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told.
“The Sophist” is a dialogue by Plato examining philosophy that was probably written in 360 BC .
**
### Sinossi
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told.
“The Sophist” is a dialogue by Plato examining philosophy that was probably written in 360 BC .
### L’autore
Benjamin Jowett (15 April 1817 – 1 October 1893) was a theologian and translator of Plato. Plato (428/427 or 424/423 BC – 348/347 BC) was a philosopher, as well as mathematician.

Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told.
“The Sophist” is a dialogue by Plato examining philosophy that was probably written in 360 BC .
**
### Sinossi
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told.
“The Sophist” is a dialogue by Plato examining philosophy that was probably written in 360 BC .
### L’autore
Benjamin Jowett (15 April 1817 – 1 October 1893) was a theologian and translator of Plato. Plato (428/427 or 424/423 BC – 348/347 BC) was a philosopher, as well as mathematician.

Only registered users can download this free product.